Tuesday, January 18, 2011

South Park In Japanese

Types

Know your morphology body is key to achieving an appropriate style according to your body. therefore, before reading more about this topic tries to identify your body shape. Do not worry if you find that your body is not exactly the model of beauty imposed on us today. We all have parts of our body beautiful and others not like us much. The important thing is learning how to enhance these areas graceful and hide others. In this is a good stylist.


Figure A
This type, known as a pear or triangle, is characterized by a trocar and lean hips, thighs and buttocks have breasts prominentes.Suelen small, flat abs and shoulders and thin arms.
This figure is very feminine but is ugly as you take weight. Ideally, this body type is to strengthen the upper body, "thinning" visually the bottom. Figure B


This type is known as the hourglass. It is characterized by as wide shoulders to the hips with a well-defined waist. You may have chest as almost equal to the hip but not always enforced. This figure is considered ideal for today's society but it is difficult to dress, especially if you have large breast and / or hips.
Figure C

This type is known as block or inverted triangle. It is characterized by the shoulders and back wider than the hips. In this body is not defined waist, chest and usually quite narrow hips and thin legs. Ideally
to give the appearance of a greater proportion of this figure is to strengthen the lower body, "thinning" the top visually. Figure D


Your type is rectangular if your body is practically straight (no difference between chest size and hip) and have no marked waist. This body type tends to be thin and is probably the easiest to wear. Is it because it is the body that most models have?
The ideal target for this type is a waist making it appear thinner and defined.

really exist even body types, once even got to see 12. Still think it is impossible that all women can be "categorized" here or there so unequívoca.
I hope you have been helpful.

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